“Your music is amazing and your performance blew me away. Incredible!”
- Matrixsynth (Author of the synth megablog “Matrixsynth“, Seatttle) |
“Mark, your performance exceeded every expectation. The videos don’t hold a candle to the awesome experience of your live show. MUST be seen in person to be believed… Thanks so much for coming to the show!”
- Steve Turnidge (Owner Ars Divina/Ultraviolet Studios, Founder Synthwerks, Author of book “Desktop Mastering“, Seattle)
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“Mark Mosher is the only musician who I have ever used the words “choreographer” and “juggler” to describe his live performance style. His mastery of unusual music technology such as AudioCubes and the Tenori-on is not just a visual gimmick; it is exciting to listen to as well. In some ways, his crisp compositions will take you back to the 1980s — he MUST be a fan of Gary Numan in particular — but in other ways his songs act as the perfect sci-fi soundtrack for our 21st-century dreams. Listening to Mark explain how he uses his musical toys, and then hearing him play them, is an inspiring experience for musicians and non musicians alike.”
-Ken Palmer (Keyboardist for Brainstatik, Pennsylvania)
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“Mark’s music is so innovative – simultaneously thought-provoking, intelligent, creative, yet surprisingly soothing and relaxing. One could hardly envision a more wonderful application of electronic technology.”
- Elzbieta Nolan (Arts Commissioner, Boulder, Colorado)
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“Mark Mosher was a valuable and enthusiastic participant at electro-music 2010. He presented a seminar on using Ableton Live, and gave a unique and interesting musical performance which was very well received. During his performance he explained the technology he was using. We look forward to seeing him at future events!”
- Greg Waltzer(Organizer, Electro-Music Festival, http://gregwaltzer.com, Pennsylvania) |
“Mosher is using three-dimensional space and his own proximity to affect what the audience hears and sees. Mosher’s music is both a personal exploration and a testament to the possibilities of technology.”
- Marc Wei (Lead organizer of The Ableton Denver User Group, Colorado)
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“The visual instruments to which Mosher is most attuned these days, and the ones with which he is becoming identified world-wide are the Percussa AudioCubes. Each cube is, like the Theremin, a spatial interface. The difference is that every cube is also an autonomous computer. Each cube face has a sensor that can detect the proximity of hands and fingers and it can also detect the position and presence of another cube.”
- Boulder Daily Camera Newspaper (Nov. 7, 2010 - read on this article) |
“What happens when the grid supporting live musical performance disappears from both standard musical instruments and paper notation? Mosher positions that grid in the space between experimental human-computer interface devices and sampled sounds. Mosher doesn’t use this as a gimmick, but rather his basic generative principle, and the surprising (to me, anyway) thing about the music is how easily listenable it is, given the fundamental invention inherent in his approach.”
- Robert Edgar (Digital Artist, www.robertedgar.com, California)
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