Upcoming Events | Past Events | Shows | Testimonials | Bookings
This is my schedule so far. More events are in the works.
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| Friday March 17th | Georgia Tech, GA | Competition | Related Blog Post | |
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May 11 - 12
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Ashville, NC
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Workshop + Concert |
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Electro-Music 2012
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Sep 7-9
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Huegonot, NY
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TBD
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When
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Where
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| Oct. 29th 1:00-2:30 PST | Skyping-in to Shoreline Community College, Seattle, WA | Talk/Concert | ||
| VIEW PHOTOS FROM SHOW |
Oct. 29th
9:30PM Mountain
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After over 22 years, Head Full of Zombies is calling it quits. We invite you all to join us for one final HALLOWEEN BASH.
I’m dropping by Saturday night to catch up with old friends and fans and will sit in to sing a song. |
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| LISTEN TO FULL CONCERT RECORDING |
Oct. 30th
19:00GMT
Noon Mountain |
Live online streaming performance (audio)
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See related blog post | |
LISTEN TO FULL CONCERT RECORDING AND SEE PHOTOS |
9.09.2011-
09.11.2011 |
Electro-Music 2011 Festival, Huguenot, NY
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Friday 11:30pm, Concert in Theater
Saturday 4pm, Talk on Ableton Live in Lounge
Sunday 5pm, AudioCube Jam in Downstairs
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| Sunday 9.4.2011 |
Private Event, Louisville, CO | Concert | Played "Signals" | |
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Sunday |
Ableton Denver/Colorado User Group at |
I'll be doing a 25 minute performance of original instrumental electronic music at the start of the meetup. |
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3.29.2011
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3131 Walnut St Denver, CO |
Talk
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ADVANCED : Making your VSTs environmentally friendly in Ableton |
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3.17.2011 | The Art Institute of California/Sunnyvale |
Concert |
Visit Official Event Page on Facebook |
| 1.10.2011 | Grand Openning of University of Denver's C-Cubed Performance Black Box | Concert/Talk | Show Details and Pictures | |
| 11.13.2010 | Microsoft Store in Lone Tree, CO | Concert/Talk | Show details, Pictures | |
| 11.2.2010 | Ableton Denver/Colorado User Group | Talk |
"Going Beyond Clip Launch with the Novation Launchpad" |
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9.10.2010
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Electro-Music 2010 Festival, NY
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Concert/Talk
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| 7.30.2011 |
Private Event
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Concert
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Performance of album | |
| 3.14.2010 | Ableton Denver/Colorado User Group |
Talk
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Intro to Percussa Audio Cubes |
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| 9.27.2009 | Ableton Denver/Colorado User Group |
Talk
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Ableton Vocoding |
EXPRESSIVE CONTROLERISM: A Live Original Electronic Music Concert for Keyboards, Grids, Cubes and Antennas
Photo by Hong Waltzer
I spent 6 months assembling and refining a laptop-based portable "rig" that allows me to perform intricate original material including songs my "Signals Universe Concept Albums" in a one-man-show format. This rig is my "instrument" and is made up of a set of state-of-the art virtual synthesizers that I can control with keyboards, grids, antennas, and cubes. This setup allows me to play notes, shape sound, as well as dynamically control arrangements. In other words I'm not locked to playback and I'm not hunched over the computer freeing me up to be a musician as well as interact with the audience. To help you the audience member connect with the performance, I utilize some special instruments that offer feedback in the form of light making the show perfect for darkened venues such as black boxes, small theatres, and darkened venus in general. The show is about 45 minutes long but I can tailor it for shorter time slots and have enough original material extend out to an hour.
I have been invited to perform this show at festivals such as Electro-Music Festival in NY, at universities such as the University of Denver's Cube Squared black box theatre grand opening, the Microsoft Store, and the Art Institute of California/Sunnyvale.
Below are photo sets and videos from select past performances:
- Electro-Music 2011 Concert
- Private Event: Outdoor Concert
- Performance at August 7th 2011 Ableton Colorado Meetup at Vinyl
- Concert March 17, 2011, Art Institute California/Sunnyvale
- Univserity of Denver Black Box
- Microsoft Store Lone Tree
- Electro-Music 2010
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"Mark Mosher is the only musician who I have ever used the words "choreographer" and "juggler" to describe his live performance style. His mastery of unusual music technology such as AudioCubes and the Tenori-on is not just a visual gimmick; it is exciting to listen to as well. In some ways, his crisp compositions will take you back to the 1980s -- he MUST be a fan of Gary Numan in particular -- but in other ways his songs act as the perfect sci-fi soundtrack for our 21st-century dreams. Listening to Mark explain how he uses his musical toys, and then hearing him play them, is an inspiring experience for musicians and non musicians alike."
-Ken Palmer (Keyboardist for Brainstatik, Pennsylvania) |
| "Mark's music is so innovative - simultaneously thought-provoking, intelligent, creative, yet surprisingly soothing and relaxing. One could hardly envision a more wonderful application of electronic technology." - Elzbieta Nolan (Arts Commissioner, Boulder, Colorado) |
| "Mark Mosher was a valuable and enthusiastic participant at electro-music 2010. He presented a seminar on using Ableton Live, and gave a unique and interesting musical performance which was very well received. During his performance he explained the technology he was using. We look forward to seeing him at future events!" - Greg Waltzer(Organizer, Electro-Music Festival, http://gregwaltzer.com, Pennsylvania) |
| "Mosher is using three-dimensional space and his own proximity to affect what the audience hears and sees. Mosher's music is both a personal exploration and a testament to the possibilities of technology." - Marc Wei (Lead organizer of The Ableton Denver User Group, Colorado) |
| "The visual instruments to which Mosher is most attuned these days, and the ones with which he is becoming identified world-wide are the Percussa AudioCubes. Each cube is, like the Theremin, a spatial interface. The difference is that every cube is also an autonomous computer. Each cube face has a sensor that can detect the proximity of hands and fingers and it can also detect the position and presence of another cube." - Boulder Daily Camera (Nov. 7, 2010 - more on this article) |
| "What happens when the grid supporting live musical performance disappears from both standard musical instruments and paper notation? Mosher positions that grid in the space between experimental human-computer interface devices and sampled sounds. Mosher doesn't use this as a gimmick, but rather his basic generative principle, and the surprising (to me, anyway) thing about the music is how easily listenable it is, given the fundamental invention inherent in his approach." - Robert Edgar (Digital Artist, www.robertedgar.com, California) |







